"I paint because I don’t say everything out loud.
KOSI speaks where I hesitate. A filter, a voice, a way to express things without having to explain them away.

​KOSI moves somewhere between image and text—often fast, sometimes impatient. Most works are reduced. Some are unfinished. Rarely random. I try to catch what slips: thoughts, fragments, observations that don’t care much for symmetry or neatness.

KOSI is often a little melancholic, sometimes even a bit misanthropic—but only on quiet days.

I’m not interested in flawless. I’m interested in clarity.
If the story is understood, it can stay rough.
Perfect is boring."